A rainy day in London's National Gallery
January 24th 2008 19:29
Art galleries and winter go together like summer and the beach – M.M.J.K. Sage and Muse
Just as hot summer sun and bright blue skies send me sprinting for the beach, so do short grey, drizzly winter days send me scuttling for the shelter of the Museum or the Art Gallery. So, when on Tuesday, the darkness peeled back on rain-streaked windows and a heavy sky which threatened more, I headed across the river to refuge among other, more benign landscapes in the National Gallery.
The National Gallery began its life in 1824 with a collection of just thirty eight pictures. As the collection increased, a larger building was needed to house it. The grand old building, which stands on the northern edge of Trafalgar Square today was designed by William Wilkins and was completed in 1836. A new east wing was added in 1876 by EM Barry who also remodeled the gallery's interiors. In 1991, the Sainsbury Wing was built on the site of a bombed out former furniture store. Now, National Gallery's collection of paintings fills forty six rooms.
With forty six rooms full pictures, there’s plenty here to occupy a rainy day. You can wander across endless gleaming wooden floors, between walls painted in dark shades of green, burgundy and dark grey, hung with masterpieces representing six centuries of painting from all over Europe. It’s a trip through time, beginning in the mid-thirteenth century and ending in 1900. it's a journey across Europe through Italy, The Netherlands, Germany, Austria, England, France and Spain. All the big names are there; Botticelli, Michaelangelo, Da Vinci, Raphael, Titian, Caravaggio, Velasquez, Van Dyck, Rubens, Rembrandt, Canaletto, Guardi, Turner, Hogarth, Gainsborough, the French Impressionists, Cezanne, Gauguin and Van Gogh and so are many of the great and famous paintings, like Caravaggio’s supper at Emmaeus and Van Gogh’s Sunflowers. Succinct and very helpful little cards beside each painting explain a little of its story as well as its date and the painter’s details. Audio-guides are available to give in-depth explanations and Gallery tours take visitors through selected works.
Should your eyes begin to smart from all this looking and reading, take your lead from the many custodians nodding off at their corner posts, sink onto one of the polished wooden benches or better still into one of the leather couches, conveniently placed along the centre of the galleries and take a quick kip. When hunger strikes, take a break, head for refreshments in the Espresso Bar, the National Café or the National Dining rooms.
At the end of my day, I had only made my way through half of those rooms. I hadn't seen the French Impressionists or the Gainsboroughs or the Turners, or hundreds of painters whose names I've never heard before. Still, this being London and this being winter, I’m sure there will be many more rainy days.
.
Just as hot summer sun and bright blue skies send me sprinting for the beach, so do short grey, drizzly winter days send me scuttling for the shelter of the Museum or the Art Gallery. So, when on Tuesday, the darkness peeled back on rain-streaked windows and a heavy sky which threatened more, I headed across the river to refuge among other, more benign landscapes in the National Gallery.
Trafalgar Square
The National Gallery began its life in 1824 with a collection of just thirty eight pictures. As the collection increased, a larger building was needed to house it. The grand old building, which stands on the northern edge of Trafalgar Square today was designed by William Wilkins and was completed in 1836. A new east wing was added in 1876 by EM Barry who also remodeled the gallery's interiors. In 1991, the Sainsbury Wing was built on the site of a bombed out former furniture store. Now, National Gallery's collection of paintings fills forty six rooms.
The National Gallery
With forty six rooms full pictures, there’s plenty here to occupy a rainy day. You can wander across endless gleaming wooden floors, between walls painted in dark shades of green, burgundy and dark grey, hung with masterpieces representing six centuries of painting from all over Europe. It’s a trip through time, beginning in the mid-thirteenth century and ending in 1900. it's a journey across Europe through Italy, The Netherlands, Germany, Austria, England, France and Spain. All the big names are there; Botticelli, Michaelangelo, Da Vinci, Raphael, Titian, Caravaggio, Velasquez, Van Dyck, Rubens, Rembrandt, Canaletto, Guardi, Turner, Hogarth, Gainsborough, the French Impressionists, Cezanne, Gauguin and Van Gogh and so are many of the great and famous paintings, like Caravaggio’s supper at Emmaeus and Van Gogh’s Sunflowers. Succinct and very helpful little cards beside each painting explain a little of its story as well as its date and the painter’s details. Audio-guides are available to give in-depth explanations and Gallery tours take visitors through selected works.
Should your eyes begin to smart from all this looking and reading, take your lead from the many custodians nodding off at their corner posts, sink onto one of the polished wooden benches or better still into one of the leather couches, conveniently placed along the centre of the galleries and take a quick kip. When hunger strikes, take a break, head for refreshments in the Espresso Bar, the National Café or the National Dining rooms.
At the end of my day, I had only made my way through half of those rooms. I hadn't seen the French Impressionists or the Gainsboroughs or the Turners, or hundreds of painters whose names I've never heard before. Still, this being London and this being winter, I’m sure there will be many more rainy days.
.
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