Two great Rio restaurants
October 10th 2009 11:20
It sometimes happens in restaurants, that the choicest cuisine is completely undone by poor service, unpleasant surroundings, or a dull atmosphere. But sometimes too, the fare is completely outdone by exceptional service, fascinating surroundings or a fabulous atmosphere. And so it happened, that in two quite different Rio restaurants, the most succulent churrasco and the ultimate caipirinha were almost totally eclipsed by the service, the décor and the ambiance.
The front windows and veranda of Zozô look out across a busy square at Praia Vermelha into the majestic profile of Pao d’Acucar. On one side is the Naval Academy and on the other the cable car station. The restaurant’s back windows and roof stare straight into a massive rock of the same rounded shape, without foothold, as Uluru and of the same grainy, grey hue as Pao d’Acucar. From the floor a tree spreads giant limbs out and up, through the roof. It pushes against the rock and throws constantly shifting shadows on the floor. Torn between the amazing setting and the stunning view, it’s difficult to give due attention to the impeccable dishes of churrasco that appear on the table and to the team of Latin Lotharios in suits who deliver them. But it’s worth wresting the eyes away from the cinema outside the front window, the waiters, the tree and the overhanging rock to browse at the buffet which offers everything from sushi to acai na tigela. It’s worthwhile, too taking a stroll past the great tree to see the row of recessed “altars” with their statues of the Holy Family and the saints all dressed in luxurious cloth and surrounded by candles and offerings.
On the other side of town, Bangolo looks out over the palms, the broad white sands and rolling surf of Barra Beach. It sits at that end of Barra where new luxury hotels and opulent high-rise give way to smaller, older and shabbier buildings. On one side is the local square where the buses from Rio Centro pull in and out, where idle taxis wait, where, in the evening, bands of deadly earnest boys kick a football across a dusty pitch and dream of the Maracana and where, when night falls, shadowy girls sit on the roadside and hope for their time in the purple neon light of the nearby Papillon Motel.
Bangolo is a neighbourhood restaurant, frequented by convivial regulars. Groups merge, blend and expand. The owner, an hospitable, gregarious New Yorker named Mark can’t do enough for his guests. This is no doubt why his team of affable waiters spend a great deal of their night extending the tables and chairs of Bangolo beyond its borders and into the gallery of graffitti masterpieces that cover the once-grand building next door. On certain nights a band, with the look and sound of 70s and 80s USA, plays old rock covers and on certain other nights, Mark’s Brazilian wife sings everyone’s favourites. With the band, Mark’s wife, Mark’s chat, the convivial neighbours, the waiters and their furniture removals, the theatre on the street and the starlit sea, it’s easy to overlook the brilliant baked octopus and the simply sensational caipirinhas.
The front windows and veranda of Zozô look out across a busy square at Praia Vermelha into the majestic profile of Pao d’Acucar. On one side is the Naval Academy and on the other the cable car station. The restaurant’s back windows and roof stare straight into a massive rock of the same rounded shape, without foothold, as Uluru and of the same grainy, grey hue as Pao d’Acucar. From the floor a tree spreads giant limbs out and up, through the roof. It pushes against the rock and throws constantly shifting shadows on the floor. Torn between the amazing setting and the stunning view, it’s difficult to give due attention to the impeccable dishes of churrasco that appear on the table and to the team of Latin Lotharios in suits who deliver them. But it’s worth wresting the eyes away from the cinema outside the front window, the waiters, the tree and the overhanging rock to browse at the buffet which offers everything from sushi to acai na tigela. It’s worthwhile, too taking a stroll past the great tree to see the row of recessed “altars” with their statues of the Holy Family and the saints all dressed in luxurious cloth and surrounded by candles and offerings.
On the other side of town, Bangolo looks out over the palms, the broad white sands and rolling surf of Barra Beach. It sits at that end of Barra where new luxury hotels and opulent high-rise give way to smaller, older and shabbier buildings. On one side is the local square where the buses from Rio Centro pull in and out, where idle taxis wait, where, in the evening, bands of deadly earnest boys kick a football across a dusty pitch and dream of the Maracana and where, when night falls, shadowy girls sit on the roadside and hope for their time in the purple neon light of the nearby Papillon Motel.
Bangolo is a neighbourhood restaurant, frequented by convivial regulars. Groups merge, blend and expand. The owner, an hospitable, gregarious New Yorker named Mark can’t do enough for his guests. This is no doubt why his team of affable waiters spend a great deal of their night extending the tables and chairs of Bangolo beyond its borders and into the gallery of graffitti masterpieces that cover the once-grand building next door. On certain nights a band, with the look and sound of 70s and 80s USA, plays old rock covers and on certain other nights, Mark’s Brazilian wife sings everyone’s favourites. With the band, Mark’s wife, Mark’s chat, the convivial neighbours, the waiters and their furniture removals, the theatre on the street and the starlit sea, it’s easy to overlook the brilliant baked octopus and the simply sensational caipirinhas.
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