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Travel Stripe - April 2008

Clean, green, well-behaved and law-abiding it may be, but Singapore is far from lifeless and Singaporeans are far from dull. The city has a plethora of bars, clubs, pubs and party places where its people love to let their hair down and live it up.

Most famous of Singapore’s watering holes is the Long Bar at Raffles Hotel. It is a slice of old Singapore; all polished teak tables, green lamps, wooden beams, heavy ceiling fans and worn brass, with narrow French doors opening onto wide verandahs and with the long curved bar which gives it its name, as its focal point. Steeped in a century and half of history, it whispers with stories of times past and of old colonial characters long gone. The traditions of the Long Bar, however, are very much alive and dutifully observed today by the steady stream of visitors who flock to it, like pilgrims to a shrine. The Singapore Sling, invented here almost a century ago by barman Ngiam Tong Boon and whipped up now by the fridge full, is almost a holy obligation. The potent pink pineapple-coconut-cream-tasti ng concoction is ritually sipped accompanied by peanuts in their shells, which are, according to custom, dropped on the floor and crunched underfoot.


Still, is something lost in the loudly marveling polyglot voices, the ankle socks with sandals, the pantacourts and the tank tops of the Saturday night Long Bar of 2008, we wondered? And we found ourselves thinking wistfully of white linen, panamas and voile, with the occasional clipped, crisp comment tossed from behind the Straits Times.

Mural in the lobby of Parkview Square, Singapore
Deer on the hoof, birds on the wing; the mural in the Parkview Square lobby



The Divine Wine Society Bar, in the lobby of ultra-modern Parkview Square, offers a completely different, totally 21st century and perhaps even beyond this world, experience. Sunk in deep leather armchairs we drank in the grandeur of the place; the lofty vaulted ceiling, the screened gallery with the grand piano, the art deco bronze balconies, thick with decoration; the art nouveau murals and frescos where formations of stylized deer on the hoof and streamlined birds on the wing speed through groves of fantastical trees; the mighty-temple pillars in bleached-stone white; the carpet like a deep, pink rolling cloud; the towering three storey wine chiller, silhouetted with thousands of supine bottles. An angel, in diaphanous white, with glittering wings and halo, floated silently across on ethereal ballet-slippered feet, with a gold-emblazoned drinks list of biblical proportions, to take our order. We watched in wonder as she soared on the end of a wire, higher and higher, buzzing backwards and forwards, up to the very top shelf of the giant fridge, in quest of our champagne. Had she been accompanied by celestial choirs, rather than a piecing mechanical whine, we might well have believed ourselves dead and in heaven.

The Divine Wine Society Bar is a place with a Monday to Friday rather than a weekend buzz. On weekday evenings, a singer/pianist entertains and the bar is alive with after-workers from the offices and embassies above. On Saturday night we found it rather hushed and quiet.

Chimes, Singapore
Chimes Chapel and cloisters


Chimes, in its last life the Convent of the Sisters of the Infant Jesus, dedicated to the education of young Catholic ladies, was reborn some years ago as a centre of pleasure and leisure. Its chapel is a now a chic reception centre, its cloisters are taken up with souvenir shops, restaurants and cafes, its courtyards and lawns are given over to outdoor dining areas and its classrooms have become clubs and bars which boom with house music, discos and bands. We caught Singapore singing legend, Douglas Oliviera and his band Satellite at le Baroque, a bar/restaurant at the centre of the Chimes complex. Oliviera, the eldest of nine children with a Singaporean mother and a Dutch father, began singing in a bar in Tanjong Pagar in 1972, at the age of 15. With three studio albums and thousands of gigs spanning all the big name bars and clubs across the island state, he is still decked out in his signature style - jeans, chains, black t shirt and sunglasses - and still looks, by all accounts, pretty much as he did at the start. Neither, it seems, has his voice lost anything over the years; he sings with youthful vigour and power, bringing a fresh and singularly Oliviera sound to all the classic, solid gold and top twenty covers that his audience demands. Satellite was a line-up of similarly skilled old pros who played with energy through anything and everything, slipping in bursts, now and then, of truly brilliant virtuosity.

Le Baroque has attentive efficient, good-humoured staff, excellent cocktails, a friendly, relaxed atmosphere and is a great place to dance out your demons till dawn.

Le Baroque Bar at Chimes, Singapore
Dancing out the demons at Le Baroque

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Colonial mansions, Hindu Temples, Middle Eastern and Moorish Saracenic Mosques, Gothic and Neo-classical churches, Georgian and Victorian public buildings, modern high rise towers, twenty-first century creations that, as yet, defy classification and, of course, its very own native sons, those exquisite shop houses, architecturally, Singapore has them all. Among this panoply of great buildings, there are, however, some absolute stand-outs.

Raffles Hotel, Singapore
Raffles, Beach Road

Raffles Hotel, named after the founding father of the city state, is one of Singapore’s most recognizable landmarks and arguably its most famous institution. .

The original Raffles Hotel, opened in 1887 by the Armenian entrepreneurs Martin, Tigran, Aviet and Arshak Sarkies, was a simple colonial bungalow with ten rooms. It stood on an auspicious site, by the seashore, at the corner of Beach and Bras Basah Roads, where, in 1842, Maria Dyer (wife of the Missionary Samual Dyer) had established Singapore’s first girls’ school. In 1899 the Sarkies’ bungalow was replaced by architect Regent Alfred John Bidwell’s grand colonial palace, which forms the core of today’s hotel complex. In time, a verandah, a ballroom, a bar and a billiards room were added, along with new wings and out-buildings. In 1989, Raffles closed for a $160 million dollar refurbishment. It re-opened on September 16, 1991, restored to the standard and style of its 1915 heyday. An extension, true to the building’s original colonial design, houses the Raffles Museum, the Jubilee Hall and the exclusive Raffles boutique shopping arcade, which includes Louis Vuitton, Tiffany’s and the local Bespoke Tailors CYC. Over the years, as the expanding city has reclaimed more and more land, the distance has grown between Raffles and the sea. Today, it stands 500 metres from the shore, in the heart of downtown Singapore.

Raffles Hotel, Singapore
Raffles "side gate


But grand and commanding as they are, Raffles is more than the sum of its buildings and position. Since its beginnings as a ten-room bungalow beside the beach, it has seen heydays and survived doldrums, it has been the backdrop to some of Singapore’s bravest and darkest history and to some of its best stories. It was in Raffles’s Long Bar, according to one of those stories, that the last surviving Singapore Tiger was shot. The first Singapore Sling was mixed in the Long Bar, by bartender, Ngiam Tong Boon, sometime between 1910 and 1915, in the glittering heyday both of colonial society and of Raffles (when, incidentally, Asians were excluded from the hotel) During the Great Depression, the hotel dropped into the doldrums and went into receivership. It was rescued in 1933, by the newly formed Raffles Hotel Ltd. When the conquering Japanese stormed Singapore on February, 15, 1942, they found Raffles’ guests dancing a last brave waltz. During the occupation the hotel was home to the Japanese army and was renamed Syonan Ryokan, Inn of the Light of the South. Raffles saw its darkest moments, when, after the liberation of Singapore, 300 Japanese soldiers detonated hand-grenades and ended their lives in its rooms. After the war, the hotel was used a transit camp where allied prisoners of war recovered from their ordeals.

Raffles, too, recovered from the ravages of the war. On 16 September, 1991 it celebrated its 120th anniversary with Minister Mentor Lee Kuan Yew, who celebrated his 84th birthday at the same time. Today, Raffles is managed by Raffles International Limited and is one of the world’s great hotels. It is a national monument as well as a Singapore tourist icon and a Singapore Sling in Raffles Long Bar is de rigeur for any visitor to the island state.

Parkview Square, Singapore
Parkview Square

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On North Bridge Road, stands Parkview Square, a grand, towering monolith at the edge of an expanse of vivid green lawn, with the doll-sized shop houses of Kampong Glam on one side and the squat blocks of Bugis Junction on the other. Aptly described by one critic as “art deco meets Gotham City”, it harnesses classical deco flourish to bold, powerful, futuristic lines.

Parkview Square was the swan song of Taiwanese Tycoon, Mr C.S. Hwang, chairman of the Chyu Fwu Group, who, for his last project, wanted something “imposing and monumental, yet stylish and elegant”. Designed by American Architect James Adams in partnership with DP Architects of Singapore, the $87.93 million building was inspired by New York’s 1929 Chanin Building.

The streamlined exterior of Parkview Square is clad in brown granite, bronze lacquer and glass. It is heavily ornamented with motifs and sculptures. Gargoyles keep watch over its walls and four massive fibreglass men, holding light balls, stand guard on the points of its roof. The building sits in a Venetian-style piazza, ringed by statues of inspirational world leaders and artists, including Sun Yat Sen, Abraham Lincoln, Salavador Dali, Mozart, Chopin, Isaac Newton, Pablo Picasso, Rembrandt, Shakespeare, Plato, Dante, Winston Churchill and Albert Einstein. In its centre is a statue of a mythological golden crane, a talisman of prosperity for the building. A Chinese poem on the pedestal describes its return to its temple in Hubei.

Parkview Square, Singapore
Parkview Square Piazza


Inside, Parkview Square’s cavernous 15 metre high lobby has art deco pillars, balconies in cast bronze, walls with murals and ceilings with frescos in art nouveau style. But despite the stunning décor, centre stage in the lobby is seized by the Divine Wine Society Bar’s Gotham City-scale, 3 storey wine chiller.

Primarily, Parkview Square is office block, which seems rather a pedestrian purpose for a building which speaks so volubly of boundless creativity and limitless skies. But then, who knows what inspired visions and bold dreams are born on those infinitely re-configurable floors?


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The Colonial mansion, the Gothic and Neo-classical church, the Georgian and Victorian public building, the functional modern high rise tower, the twenty-first century creation which, as yet, defies classification and, of course, that native son, the exquisite shop house - Singapore has them all. Among this panoply of great architecture, there are, however, some absolute stand-outs

The Armenian Church, Singapore
The Armenian Church of St Gregory the Illuminator


The Armenian Church of Saint Gregory the Illuminator on Hill Street is Singapore’s earliest Christian Church and one of its finest old architectural landmarks.

The Government donated the land for the church in 1833. 2,500 of the 5,000 Spanish dollars needed for the building were raised from within the Singapore’s small but wealthy and Iinfluential Armenian community. The rest was donated by Armenians in Java and India and by local Chinese and European merchants. Completed in 1835, St Gregory's was consecrated in 1836 by Reverend Eleaza Ingergolie and dedicated to the Patriarch of the Armenian Church.

Widely considered as the masterpiece of architect George Dromgoole Coleman, overseer of Convicts and Superintendent of Public Works, St Gregory’s is built in the British Neo-Classical style and is modeled on the original St Gregory’s church in the Northern Armenian town of Echmiadzin. Although it incorporates influences from the classical architecture of Rome and Tuscany with suggestions of some old British churches (London’s St Martin in the Fields and Cambridge’s Round Church), it is also uniquely Singapore, with wide porticos which provide shelter from both sun and rain, louvred windows which allow ventilation and diffuse the sunlight and pews backed with cool, light local rattan.

In the church grounds is the Memorial Garden to Armenians; among those remembered are Agnes Joachim, mother of the Singapore orchid and the Sarkies brothers who built Raffles Hotel. The Parsonage was built in memory of John Sarkies by his wife Nanajies.

Sadly, St Gregory’s last Parish Priest died decades ago and was never replaced. The congregation has diminished and Armenian orthodox services have ceased.

The Armenian Church of St Gregory the Illuminator was gazetted as a national monument on July 6, 1973.

The Memorial Garden, Armenian Church, Singapore
The Memorial Garden to Armenians at St Gregory's


The Esplanade - Theatres on the Bay is almost certainly Singapore’s most arresting piece of modern architecture. On its commanding Marina Bay site, at the mouth of the Singapore River, it compels the eye from land or sea.

Esplande Theatres on the Bay, Singapore
Esplanade -Theatres on the Bay from across the Singapore River


Designed co-operatively by London-based Michael Wilford and Partners and DP Architects of Singapore, it consists of two great glass cones clad with thousands of little aluminum sunshades. Some liken the building, with its glinting multi-faceted surface, to the eye of a giant fly, others to that famouly sweet tasting, yet infamously foul-smelling fruit, the Durian.

Theatres on the Bay was purpose built as Singapore’s centre for performing arts and under those enormous domes are; a 1,600 seat concert hall with state of the art acoustics, a 2000 seat theatre modeled on the classical opera houses of Europe, a public library devoted to the arts scene, an intimate 250 capacity recital studio, a small 220 seat theatre for experimental theatre and dance presentations, an exhibition space, Jendela, or window, in Malay, with a panorama on Marina Bay, two outdoor venues, the Waterfront Stage and the Stage @ Powerhouse, for free avant-garde performances, a large rooftop garden terrace, open leisure spaces and courtyards as well as a mall with retail outlets and eateries.

The 600 million dollar centre opened on 12 October 2002. On July 5, 2005, it seized the world stage when 117th session of the IOC opened here with concert showcasing Singapore’s multicultural heritage.

And, yes, it does look like a giant Durian, dropped casually down among the skyscrapers of Marina Bay.

Esplanade - Theatres on the Bay, Singapore
The Durian, looking across Esplanade Road



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Singapore Shopping

April 21st 2008 09:04
Singaporeans often joke that shopping is their national sport. With more malls and stalls than pitches and courts and with shops and stores a popular playground for Singaporeans during every tiny window of leisure time, this is easy to believe.

Singapore
Singapore from the River

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In 1925, the British brought a contingent of Indian convicts to Singapore to work as construction labourers on the rapidly expanding settlement. For the duration of their sentences they were confined in coolie lines between Stamford and Bras Basah Roads. Once freed, they were given buffalos and land, in the city’s North West, and dispatched to begin new lives in their own India away from India. Today Singapore’s Little India is a flourishing centre, alive with colour, noise and constant activity, where ancient traditions fit harmoniously into ultra-modern life, where diverse cultures blend and different religions sit comfortably side by side. It is unmistakably India but uniquely Singapore.

Hindu Temple, Singapore
The ornate facade of a Hindu Temple

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There is a great deal of the Middle East in Singapore’s Kampong Glam. Like others all over the new world, its street names reflect the early settlers’ nostalgia for their homelands; there is a Muscat Street, a Baghdad Street, a Kandahar Street, a Bussorah Street, an Arab Street and a Bali Lane. Tiny Haji Lane recalls the pilgrims, who, for centuries, have stopped here on their way to Mecca for the Haj. Shop names, too, recall the old Arab world – names like Aladdin’s Cave, Baladi, Islamic and Café Le Caire. And in the long narrow verandahs, cluttered with colourful merchandise, which front the shops and border Kampong Glam’s narrow streets, there is something of the Arabian Souk. But above the shops and verandahs, the brightly painted facades of the shop houses, with their intricate blend of Malay, Chinese, Indian and Arab architectural designs, are uniquely Singapore.

Kampong Glam, Singapore
A shop verandah in Kampong Glam

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When Tengku Long signed the Treaty with Sir Stamford Raffles, in 1819, to found the British port in Singapore, there was already a long-established Malay settlement at Kampong Glam, then known as Kampong Gelam because of its groves of Gelam trees.

Kampong Glam, Singapore
Kampong Glam

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In contrast to the fragmented remnants of the British settlement in the west and centre of Singapore, Chinatown, on the south side of the river, remains contained and complete within the boundaries marked out in Stamford Raffles town plan of 1822. Little of the high-rise development that marks so much of modern Singapore has invaded to disrupt Chinatown’s continuity. It lurks at the edges, nonetheless, a ring of stark, concrete and glass towers, dwarfing the two storeyed shop houses, accentuating the narrow streets and throwing their bright colours and constant movement into sharp relief.

Shop houses in Chinatown, Singapore
Shop houses in Chinatown

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When Sir Stamford Raffles assigned the different groups of settlers to their own enclaves, back in Singapore’s early days, he may have hindered racial integration and held back the development of a new, unique Singaporean nation, but he did, wittingly, or unwittingly, help to keep their various cultures intact, allowing them to put down strong roots, to flourish and to survive into the future.

Under the Raffles plan, the British settled the city and the hills to the East, the Chinese were relegated to the South, the Indians to the North and the Muslims, including Malays to the North East


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[Singapore’s history is rich and dramatic.

It begins with the Sumatran Prince, Sing Nila Utama sometime in the 14th century. Legend has it that when he landed on the island, then known as Temasek, Sing saw a white lion crouched at the edge of the sea. Believing it to be an omen, he re-named Temasek Singa Pura, or lion city. The Merlion, or sea lion, is the emblem of Singapore today


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Clean, green Singapore

April 1st 2008 04:02
Although it is modern and industrialized, with its meager land area densely populated and built–up, Singapore is officially the greenest city in Asia. Unofficially, it is probably the cleanest in the world.

The banks of the Singapore River
The banks of the Singapore River

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